Tascam trainer manual

Press briefly again to turn the loop playback function OFF. Page Left Side Panel Use this standard mono 6. Page Menu Structure hours: minutes: seconds. See on page Page 3-Preparation 1. Remove the battery compartment cover. If there are batteries in the compartment, confirm that the unit power is OFF and then remove them.

Insert the card and close the cover. Page Special Cases In this case,format the card to use it with this unit. Move the switch to device, however, are compatible with this model.

Use of a different adaptor could cause malfunction, fire or electric shock. The unit should automatically turn off. Please refer to the operation manual for your computer system for instructions about the correct procedures for dismounting an external drive. MODE item. Page Track Incrementation 1. Press the MENU button to open the screen.

Page 51 5. Press the button to divide the file. This unit only records in This folder becomes the new playback area regardless of the previous playback area setting.

When recording, files are created in the folder selected using this operation. Moreover, the folder that contains that file 2. Page 64 Play the file and return to the Home Screen.

Page 65 In the above example, the file in the 4th position has been moved to the 3rd position. The file number no longer appears light on dark.

IN starting point to the desired position. Press the 2. The latest is the Tascam GB, a guitar and bass trainer-recorder that sees some new features enhance its versatility. Designed to be positioned on a desk, the GB has an angled fascia and a generously sized LED screen. Like its predecessors, it allows you to slow down tracks while maintaining the original pitch. As anyone who has dropped the needle back and forth on a record, ruined a cassette or near launched their laptop through the window while trying to parse the intricate hemi-demi-semi-quavered hellscape of a Kerry King solo might attest to, this looping feature really helps take the pain out of transcribing.

Use the USB 2. As it stands, it gives you a real head-start on figuring things out, plus its standard phrase-training facilities are excellent. But where the GB sets itself apart from its rivals is its recording mode.

Nothing improves you quicker. There is an optional RC-3F footswitch so you can do this hands-free. Use this key when you are in a menu mode in order to escape and return to the home display mode. To play, press the PLAY key. Pressing and holding this key down activates the metronome menu See Using the metronome.

While a CD is playing, you can pause playback by pressing this key. Press again to resume playing. This control adjusts the level of the two jacks together the two jack levels cannot be adjusted separately. This jack has no level control, so you must adjust the output level at the source device.

You can also connect microphones to both jacks and use them together. The input level at the LINE IN jack cannot be adjusted, so adjust the output level on the external device you have connected.

The menu then shows the menu category you select, reversed and blinking. Use these keys to search within the CD by pressing and holding the key for the direction that you want to search.

By continuing to press, the search will speed up. LOOP 1 appears on the display. LOOP appears on the display.

The I-O symbol blinks on the display. The section between the two points repeats seamlessly. LOOP disappears from the display and the loop mode is canceled. Pressing the LOOP key again will restart the previously determined loop.

TEMPO blinks on the display. Key control Key control changes the key of the music up or down by six semitones. KEY blinks on the display. When the key is set to a value other than zero, KEY shows in the home display mode. This is not a fault of the CD player — it is a natural result of the special effects.

Split monitor Setting the split monitor mode allows you to split the CD output and the microphone s into left and right outputs. Voice Change function The Voice Change function allows you to raise or lower the pitch of the sound input from the microphone s by 1 octave.

Using the effector 1.